Paul Cotton, Kal David, Mike Anthony, Fred Page, Rob Lewine
ILLINOIS SPEED PRESS PHOTO COLLECTION
(Click on photos in gallery below to view larger version with instructions for ordering)
Phoenix Memorial Coliseum – 12/31/68
appeared with Steppenwolf and Three Dog Night
illinois Speed Press – “illinois Speed Press”
ILLINOIS SPEED PRESS – Paul Cotton, guitar vocals; Kal David, guitar vocals; Mike Anthony, keyboards vocals; Fred Page, drums; Keith Anderson, bass
The Capitols were a local group formed by schoolmates at Thornton Township High School in Harvey, Illinois in 1958, including Norman Paul Cotton (then known as Norm “King” Cotton) and Keith Anderson. They became The Mus-Twangs in 1961, primarily an instrumental outfit who released a single, “Marie” on the local Nero label, which was picked up for national distribution by Smash, a subsidiary of Mercury Records. The band next became The Starfires, and Cotton also performed around 1963 as a member of the Carol Vega Trio. Around the same time, Kal David (b. David Raskin) fronted another band in Chicago, The Exceptions, who also included Peter Cetera (later of Chicago).
In early 1965, Cotton formed a new group, The Gentrys, with bassist Frank Bartell and drummer Fred Page (b. Frederick Pappalardo). They were soon joined by Kal David and keyboard player Mike Anthony, and later that year they changed their name to The Rovin’ Kind to avoid confusion with the Memphis band who had a hit with “Keep On Dancing”. They released their first single, “Everybody”, on the Contrapoint label, and recorded several further singles for the Roulette and Dunwich labels. In 1966 they won a regional “battle of the bands” contest and, as a prize, appeared on American Bandstand. In 1967, Bartell left and was replaced by Keith Anderson. Back in Chicago, The Rovin’ Kind became the house band at the Whisky A Go Go, where they were seen by producer James William Guercio, who signed them to a contract with the Columbia Records subsidiary label Epic, and persuaded them to change their name to Illinois Speed Press in February 1968. Norm Cotton changed his stage name to Paul Cotton at the same time, and the band moved to Los Angeles.
With its twin guitar sound, the band played a mixture of rock and roll, soul and country music. In 1968 they performed regularly at the Whisky a Go Go in Hollywood, and at the first Newport Pop Festival, held in Costa Mesa, California, also recording their first single, “Right On Time”. Anderson was then fired, and replaced by Rob Lewine before the band recorded their first album, The Illinois Speed Press, which was produced by Guercio and released in early 1969.[4] Columbia simultaneously released albums by Chicago Transit Authority, The Flock, and Aorta, and marketed them together as part of a so-called “Chicago Sound”. All four debut albums entered the Billboard Top 200 album chart, The Illinois Speed Press reaching #144.
Before the album’s release, Guercio fired Page, Anthony, and later Lewine; Page died shortly afterwards. They were replaced for performances by Jimmy Rogers (bass) and Rick Allen (drums), but the band recorded their second album, Duet, essentially as a duo of Cotton and David, supported by studio musicians including Joe Osborne (bass), Hal Blaine (drums) and Michael Lloyd (keyboards). The album was released in spring 1970, but shortly afterwards Kal David left to form The Fabulous Rhinestones with bassist Harvey Brooks. Cotton was then approached by Richie Furay to join Poco as a replacement for Jim Messina, which he did a few months later.
In 2009, Cotton and David reunited for some performances as Illinois Speed Press.
ILLINOIS SPEED PRESS – Discography
- 1968 – Get in the Wind/ Get in the Wind Part 2 (Poisidon) – single
- 1969 – Illinois Speed Press (Columbia) – Album
- 1970 – Sadly out of place/Country Dumplin’ (Columbia) – single
- 1970 – Duet (Columbia) – Album
Illinois Speed Press – Free Ride – 1968
ILLINOIS SPEED PRESS Links
I first saw ISP at a little teen club named the White Room in Buena Park, CA. I was hooked from their opening note. Just the epitomy of cool and great music. I believe they were precursors to Tom Petty & The Heartbreakers. Their music has held the test of time.
I was greatly saddened to read about you talented brother. I looked over some of the archive hoping to come back to it later, and make my purchases. Thank you, and again, I am so sorry for you loss.